plays

Help by Claudia Rankine at The Shed, March 10-April 5th! by Casey Llewellyn

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I thrilled to be working as a dramaturg with poet and playwright Claudia Rankine on her new play HELP, which runs at The Shed March 10-April 5. The whole team is super talented and amazing!! Director Taibi Magar, actress Roslyn Ruff, choreographer Shamel Pitts, set designer Mimi Lien, composer Jerome Ellis, costume designer Dede Ayite, and sound designer Mikaal Sulaiman. I feel so grateful to be in the room everyday!

This show is unlike anything I have ever worked on our heard about and will be SO POWERFUL.

Get your tickets here!

From The Shed:

“I write to provoke dialogue and to transform how we think about what it means to live and breathe in the world.”

—Claudia Rankine

Acclaimed poet and playwright Claudia Rankine (Citizen: An American LyricThe White Card) examines the nature of white male privilege in Help, a powerful new play commissioned by The Shed.

Roslyn Ruff (Theater: Fairview; Film: Marriage Story; TV: DivorcePose) stars as the Narrator, who recounts Rankine’s real-life conversations with white men that take place in transitional spaces like airports. As the stories unfold through monologues and staged scenarios, with Ruff supported by a cast of white male actors and dancers, Help explores how these conversations can go right, wrong, or raise new questions.

Directed by Obie Award-winner Taibi Magar (Is God Is, Soho Rep), Help builds on Rankine’s ongoing investigation into whiteness, elements of which were shared in her recent, widely read New York Times Magazine essay, “I Wanted to Know What White Men Thought About Their Privilege. So I Asked.”

Rankine’s body of work, for which she has been awarded MacArthur and Guggenheim fellowships, crosses lyric poetry and prose essay to navigate questions of race, healthcare, loneliness, and what it means for a life to matter in American society today.

Recommended for ages 14 and up; includes adult language and content around white supremacy, racism, and misogyny

Play in She Persists at Pillsbury House & Theatre, March 13th-24th by Casey Llewellyn

Sara Richardson, Ashawnti Ford, Nora Montañez Patterson & Audrey Park, cast of She Persists: An All-Woman Take on the Political Divide at Pillsbury House & Theatre. Photo by Rich Ryan.

Sara Richardson, Ashawnti Ford, Nora Montañez Patterson & Audrey Park, cast of She Persists: An All-Woman Take on the Political Divide at Pillsbury House & Theatre. Photo by Rich Ryan.

I was commissioned by one of my favorite Minneapolis theaters, Pillsbury House & Theatre, to write a short play for She Persists: An All-Woman Take on the Political Divide, along with co-Jerome fellow Philana Imade Omorotionmwan and great writers, Cristina Florencia Castro, Oya Mae Duchess-Davis & Aameera Siddiqui.

I wrote a play called The Team about the heartbreak of failed solidarity among women and how progressive white women must transform ourselves to move into the future we want. You know just a light electoral politics play featuring Elizabeth Warren.

The plays are directed by Noël Raymond with music by Queen Drea. The cast (pictured above) is also amazing!

From Pillsbury House & Theatre:

She Persists is a fresh take on the conversation that began with the popular 2017 production, The Great Divide: Plays for a Broken Nation and continued with 2018’s The Great Divide: Plays on the Politics of TruthFeaturing an all-woman cast, production team and playwright cohortShe Persists: The Great Divide III is a powerful, intersectional look at the place where womanhood and politics collide.”

Come see the plays! They will be up at Pillsbury House & Theatre Wednesday the 13th-24th. Tickets are pay-what-you-can $5-25!